This allows you to do things like add set extensions or other 3D elements, such as telephone poles or dragons, to the live-action shot and have them align seamlessly with the original scene. Motion tracking, or match-moving as it is sometimes called, allows you to process live-action footage shot with a moving or hand-held camera and solve for that camera resulting in a “virtual” 3D camera that behaves exactly as the original camera did in the shot. Motion tracking, which is a closely related feature to object tracking, was introduced two years ago in R16 and seriously upped C4D’s capabilities as a serious visual effects tool (in addition to the motion graphics and animation powerhouse that it already was). Let’s begin with the new Object Tracker in Cinema 4D R18. Object Tracking Cinema 4D R18’s new Object Tracker lets you affix 3D models to moving objects in your footage. R18 includes things like a built-in Object Tracker, Voronoi Fracturing, enhancements to MoGraph, new modeling features and other interesting new additions to this mainstay of the production world. This year’s C4D Release 18 is no exception.

And with it comes a host of new features and enhancements that makes 3D artists and animators stand up and take note. The new Push Apart Effector in R18 helps to make sure that generated multiple MoGraph clones don’t overlap each other by pushing them apart or scaling them.Įvery year, right around SIGGRAPH (the annual pow-wow of all things computer graphics), MAXON unveils the latest version of its flagship 3D modeling, rendering and animation package Cinema 4D.

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